In France, they don't like success - for instance, they excoriate their In France, you are supposed to pretend you don't work, but in America, they give you respect if you work. To sound authentic in English - to not just say the correct words but to express feeling, too. Even now, in Paris, I try to speak English every day. It's exhausting sometimes, like singing a musical when you're used to jazz. There is such a different rhythm to the language. In Manhattan, and I submerged myself in English. I saved my money for one year to do this. Three years ago, I flew to New York and I took a Berlitz class for 18 days. When you were 28, you co-starred in ''Big Fish,'' directed by Tim Burton. But there are opportunitiesĮverywhere, and as an actress, I need to tell all kinds of stories. I wanted to cross the sea, to meet amazing directors, even if they were not in France. As a little girl, my dream of acting had no frontiers. The French are very proud of their performers, but they don't want you to stray too farįrom France. In France, film is a strong industry, but it's also very complicated. When I was 16, I moved to Paris with my mother, and I started getting parts in films. It was a dream to me - the passion of the profession was contagious. With a dog, but I remember my scenes and I was entranced by acting. When I was 5, a director friend of my family put me in his movie. Both my parents are stage actors, and I was fascinated by their jobs. I started in musicals when I was very young. Now you are going to do another musical, ''Nine,'' opposite Javier Bardem. I taped myself, and I hate to watch myself, but I studied those tapes again and again.
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When to be silent, how to look natural and yet emotional. I had to breathe like Piaf, and I worked with a vocal coach to learn her technique. But lip-synching is the most difficult thing to do. We really didn't have the time for me to learn to sing the songs properly. They prepared the obituaries every week! When you play someone with so many chapters and so many moods, it reminds you that life can have great intensity When she was alive, all the journalists were ready for her death. Was it personally upsetting to film Piaf's death scene? It was very disturbing to look in the mirror, but I no longer looked I shaved my hairline back before shooting began so that I would have a bigger forehead, and I shaved off my eyebrows.
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But it was better that way - if I had to wait for the last month to be old, I would have been paralyzed with fear.īut the makeup and hair transformations must have been grueling.Īfter three days of latex to age me, my skin was not there anymore. From day toĭay, I was skipping from Piaf as a girl to Piaf at the end of her life. On the fourth day of shooting was one of the biggest scenes - the moment in 1960 when Piaf collapsed and canceled her performance at the Olympia theater. We didn't have a big enough budget for that. I didn't want to waste my time asking myself, Will I be good or not good? I realized I just had to have less egoĭid you shoot the film in sequence, from young Piaf to old?
So your initial fear becomes a fake fear - just a manifestation of your ego. In the end, a role this huge is like the biggest present. That made me less afraid of playing an icon that so many people love. And I have to say, I did feel close to her. I never knew why, but then he told journalists, ''There was something about Marion's eyes.'' He saw some tragedy in my eyes, something terribly sad that reminded him of Piaf. The director, Olivier Dahan, wrote the script with me in mind. When I read the script, I was really scared. Was it challenging to play a woman who was so extreme in her Piaf was a brilliant singer, but she was also a drug addict with a deeply dramatic personality. If you have any issues with the content on this website, please leave it and don't visit us anymore.In ''La Vie en Rose,'' you play Edith Piaf from age 17 to her death at 47.
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